My Basic Method

We have looked at tools and materials.  Now let's see how we can use them to create a painting that makes use of the best of both mediums: watercolor and soft pastel

You might want to try this subject just to get started, but the procedure is much the same with any subject.

On watercolor or mixed media paper create some loose beautiful watercolor washes on a wet sheet applying the colors you wish to use.  They should be different than the color you will use for your subject to create surface interest and more color excitement.   Keep your final subject in mind but be free with your color.

 

 

  Note that I chose Aureolian Yellow and Permanent Rose for the underpainting knowing that my subject would be completed in shades of green.  Aureolian Yellow and Permanent Rose blend together on the wet paper to produce a beautiful scarlet.  The yellow gives warmth and the rose gives contrast.

When the watercolor washes are dry, indicate your main shapes with pencil. 

Note: I have used a dark pencil so you can see the drawn shapes in the photo.  Use a light pencil for your work; it is only to be a guide.

I have chosen to leave the sky area alone, so I will work on the band of ocean next.  Working from the top to the bottom helps to keep the work clean.  And remember we want to stay out of any areas of watercolor we want to remain clean and vibrant.  Choosing three values of color I apply them to the ocean shape, grading the color as I work towards the line of vegetation on the land.  Blend this area keeping out of the other areas (tree and shrub).  Use your favorite blending tool for tight spots.  

To keep a clean edge at the horizon, use an eraser shield as you

blend the colors into the paper.

 

Next is the line of vegetation.  Use three different values of muted greens and scumble the pastel stick so as to allow some of the underpainting and texture of the paper to remain. Soften some of it if you like. 

Note how the watercolor underpainting glows through the vegetation.

Next, tackle the tree shape.  Think: direction of growth.  Use minimal strokes.  Leave some of the underpainting showing through.

Again, use three different values, blending where foliage is dense. 

I think you can finish the rest with no more specific directions.  Just remember that your lightest areas are created by the watercolor and the pastel is used only to clarify the subject and act as a strong contrast to the watercolor.